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Based on a pair of once-banned plays by the fin de siècle satirist Frank Wedekind, Alban Berg's operatic swan song charts the rise and fall of a femme fatale, a serial seductress, from life as a society hostess to prostitution and eventual death at the hands of Jack the Ripper.

A performance of Alban Berg's opera recorded at the Schiller Theater in Berlin. The opera, dark and satirical in tone, charts the story of the rise and fall of a femme fatale, from life as a society hostess to prostitution and, eventually, a bloody death at the hands of Jack the Ripper.

A deeply moving performance... one of those nights when it was a privilege to be at the Met." That's how the New York Times described the company's 2001 revival of Berg's Wozzeck, conducted by James Levine and captured in this extraordinary telecast. Falk Struckmann stars in the towering title role of the disturbed, mistreated soldier, opposite Katarina Dalayman as Marie. This premiere marks the first commercial release of a Wozzeck recording conducted by Maestro Levine.

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This arty Canadian drama centers on a young Vietnamese woman who marries a petty thief she does not love so she can emigrate to Canada. The rest of her family moves there too, but none of them find a particularly happy life, though Lucky, Lulu's husband, would do anything to insure his wife's happiness, even if it is self-destructive.

Live performance of Alban Berg's opera at the Gran Teatre del Liceu, Barcelona. Inspired by "Pandora's Box" by Frank Wedekind, Lulu describes the social ascent and the demise of a deadly woman, driven by men to behave in murder, to her own. dead.

Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.

Henrik and his younger lover Lulu go on an intimate trip to France. Unexpectedly, Henrik's son, David, arrives.

Everyone is addicted to Lulu. As a symbol of the seductress, she drags everyone around her into the abyss: the elderly Dr. Goll, the mediocre painter Schwarz, her foster father Dr. Schön and the lesbian Countess Geschwitz - all succumb to her beauty and pay with their lives.